The 10 Most Expensive Tiffany Lamps in the World

The 10 Most Expensive Tiffany Lamps in the World

Tiffany art lighting inherited the nineteenth-century American art master Mr. TIFFANY’s original style, the exquisite modern craftsmanship, and elegant, classical sentiment into one, for modern life embellished with a ray of gentle, ancient style.

Along with advanced stained glass inlay welding, all handmade, with rich colors, delicate workmanship, smooth and generous patterns, soft and dazzling light, practical and luxurious shape, for you to ignite the passion for life, release extraordinary light!

First seen in the late 1890s, the Tiffany lamp with leaded glass, pioneered by Tiffany Studios, is an important art icon of the late 19th century, attracting countless collectors from around the world. Tiffany’s main inspiration is nature, and all the flowers are fully reflected in the stunning lighting design.

Tiffany lamp with a strong sense of art and design of the times, but, like Tiffany lamp watchers should pay attention to this “personality” strong lamps on the home requirements are also quite high. Tiffany lamp’s suitable style is also relatively “heavy”.

If your home is a simple modern style, this lamp may seem out of place; for the light rustic style, Tiffany lamps will also seem too heavy. The correct way to match should be with the traditional Chinese, Western, or nostalgic style of the home.

Today, I will introduce you to the ten most expensive tiffany lamps in the world.

Tiffany Lamps Name Tiffany Lamps Price
Banded Dogwood Table Lamp $52,920
Tiffany Poppy Lamp $250,000
Tiffany Peacock Lamp $314,500
Fruit Table Lamp $564,500
Tiffany Wisteria Lamp $716,000
Tiffany Pebble Lamp $760,000
Tiffany Dragonfly Lamp $884,000
Trumpet Creeper Table Lamp $2,295,000
Tiffany Pink Lotus Lamp $2,807,500
Tiffany’s Pond Lily Lamp
$3,372,500

Banded Dogwood Table Lamp

Banded Dogwood Table Lamp

When viewed directly, the shadows take on a cheerful spring hue, with dogwood blossoms rendered in soft white tones against a vibrant green background.

Shadows with approximately six thin lines of cracks are scattered throughout and stable. Shadows with some slight traces of surface contamination are concentrated on the contours adjacent to the leads, consistent with age.

The base is in overall good condition with scattered light surface scratches, abrasions, and wears consistent with age and use. The bearing nest stem has a small amount of light flaking to copper green, consistent with age.

The telescoping mechanism functions properly, but may have some minor misalignment when raised in height; this can be easily fixed by a professional Tiffany administrator.

With period socket. One period top is in very good condition with some minor wear. Impressive scale light with natural colors.

Tiffany Poppy Lamp

Tiffany Poppy Lamp

The shades consist of an extremely saturated and rich palette. The poppies exhibit a range of red tones from deep red to oxblood to orange-red. The background passages feature a rich palette of cobalt blue and yellow, consisting of stripes and mottled glass, contrasting with the red poppies.

Shadows with approximately 18 thin lines of cracks are scattered throughout and stable. Shadows with slight traces of surface contamination are concentrated on the contours adjacent to the leads, consistent with age. The bronze overlay etched on the poppy leaves is applied to the interior of the shade and is completely intact.

The highly sculptural “Cattail Pond Lily” base is in excellent condition and exhibits an unusually rich, dark brown luster when viewed in person. The base has been particularly finely cast and chased for the sculptural details of the water lily feet and balsam leaves, which are carved in relief on the base columns.

The bronze surface shows occasional minor surface scratches, scuffs, and areas of light wear consistent with age and gentle use. Bases with some light surface contamination and oxidation marks are concentrated to a design recessed profile consistent with age.

The shade hoop is suspended by four arms and has some very slight and expected flexing. The socket bar appears to be a later replacement. With cycle socket and paddle switch. The later reproduction finial is in very good condition with scattered light surface scratches, scuffs, and minor oxidation marks.

An outstanding example of this desirable shade model showcases a stunning, highly saturated glass selection paired with a highly complementary sculptural base.

Tiffany Peacock Lamp

Tiffany Peacock Lamp

“Peacock” leaded glass and bronze table lamp, Tiffany Studios design, circa 1910. 24½” (62.2cm) high, 18″ (45.7cm) diameter shade. The lot was sold at Christie’s New York on December 17, 2011, for $314,500.

Elegance and style, form and function, Peacock Tiffany lamps will add a new sense of luxury to a room. The stunning stained glass shade, combined with the very attractive peacock base, brings the whole package together in a lovely way.

Fruit Table Lamp

Fruit Table Lamp

The lamp features an extremely rare shade and base model that together create an incredibly exuberant and sculptural piece that has an impressive visual effect when viewed firsthand.

The shade includes a vibrant array of hues depicting grapes and apples, which surreally combine on the same plant. The palette ranges from deep reds to a range of oranges to bright oranges; from deep amethyst to lavender and fuchsia; and from bright greens to more muted pastel shades. The colors are offset by the rich, dark blue glass that makes up the background.

There are about 7 thin lines of cracked shadows scattered throughout; stable. Shadows with some traces of surface staining are concentrated on the contours adjacent to the leads and the recessed contours of the corrugated glass, including the upper and lower registers, are consistent with age.

In the history of this work, the shadow ring would likely have been reset, which is common for shadows of this magnitude. The rare internally illuminated “turtleback” base is in very good overall condition, exhibiting a rich russet and green luster when viewed in person.

The bronze surface has scattered light surface scratches, scuffs, dents, and scattered light discoloration consistent with age and mild handling. The upper shoulder has a lightly rubbed bronze-green around the base switch. Base with some light surface staining and oxidation marks to recessed contours consistent with age and gentle use.

The inset turtleback tiles all appear to be original and undisturbed and are in very good condition. When viewed in person, the Turtleback tiles exhibit an unusually bright jewel-tone iridescence that is highly complementary to the shading.

With periodic sockets; the interior sockets in the base were replaced later. The later reproduction finial is in very good condition with minor wear, surface scratches, and abrasions consistent with age and gentle handling. The extraordinary and luxurious shades and bases are paired with an impressive sculptural feel and a rich selection of glass.

Tiffany Wisteria Lamp

Tiffany Wisteria Lamp

The shade presents a rich and highly artistic selection of glass in a range of blue and purple tones including ultramarine, indigo, periwinkle, cornflower blue, and violet. The composition is accented by green and warm yellow branched foliage.

Wisteria flowers are interspersed with more transparent stripes and rippled glass, enhancing the effect of light passing through the flowers. Both the shade and the base are impressive, reinforcing the fact that the two components originated together from the time of manufacture.

The shade is in overall very good condition with some light surface traces of dirt consistent with age. The shadows with approximately 30-35 fine line cracks are distributed throughout (all stable), a relatively low number considering the large number of individual glass blocks that contain shadows of this size and complexity.

As is common in the “Wisteria” model, some of the lower panicles along the bottom irregular border are very subtly curved inward; these elements all appear stable. The lower edge of one panicle is stable with a small break along the leading edge of the lower edge.

The top bronze skeleton of the shade and lower branches is finely cast and shows some scattered light surface scratches, scuffs, and minor wear consistent with age and gentle handling. There is some light rubbing to the high points of the top mesh shade skeleton and some light surface contamination and minor oxidation to the recessed profile.

The bronze branches throughout the top register of the shade are highly sculptural and tactile and add great visual interest and dimension to the lamp. The “tree” base is in overall very good condition with scattered light surface scratches, scuffs, discoloration, and minor wear consistent with age and use. The base with some minor surface contamination is concentrated on the recessed contours of the design.

The base is not bronze-plated and antiqued, commensurate with the early production of this lamp, and displays a matte bronze finish. The foot has occasional small spots where the base meets the base column, consistent with age.

The base post has a small patch at mid-height measuring approximately 1 x 1 inch, which may have reattached the base at some point in the piece’s history; the patch has some minor signs of oxidation and discoloration at its borders that are not visually distracting.

With a cycle switching mechanism and a potentially replaceable switch knob. The socket retains its original housing, the internal electrical components have been replaced. This outstanding example of an attractive and iconic model features brilliant and rich colors and an extraordinary selection of art glass.

Tiffany Pebble Lamp

The 10 Most Expensive Tiffany Lamps in the World

The clever design and construction of this lamp combine Tiffany’s love of the natural world with his interest in conventional forms. The use of natural pebbles immediately imbues the lamp with a rich, organic quality.

As a decoration on the base, the pebbles create visual harmony between the highly controlled distressed bronze accents of the base collar and the captivating, natural irregular shadows. Pebbles can also be used as an artistic medium to design subtle, simplified floral motifs in shadows.

Tiffany uses imperfect organic materials to construct abstract, stylized patterns that give order to the seemingly disorderly.

The success of this design is attributed to the extraordinary craftsmanship of the entire fixture. For example, if a commercially produced spherical glass base might have sufficed, Tiffany instead chose to produce a more naturalistic hand-blown glass base, which further required the bronze collar to be customized to fit its slightly undulating surface.

The company’s resources and confidence were invested in experimenting with such fine, labor-intensive designs, which may have been a byproduct of the early success of Tiffany’s leaded glass lamps. As a result, the “Pebble” model represents Tiffany’s most closely held ideals in many ways, from naturalism and aesthetics to art and innovation.

Tiffany Dragonfly Lamp

Tiffany Dragonfly Lamp

This magnificent example of Tiffany’s precious “Hanging Head” dragonfly shade is distinguished by its supreme glass selection, which showcases a stunning variety of blue and purple hues with green tones. The color palette subtly transitions from soft lavender and periwinkle tones in the upper area to vibrant violet and indigo tones in the middle area, to rich cobalt and “Yves Klein blue” in the lowest area.

The dragonfly’s body is made of corrugated water glass and the dragonfly’s eyes are vibrant apple green. The cabochons are made of brilliant turquoise. The top row and largest cabochons are plated on the inside of the shade, giving these stones greater visual depth. There are residual traces of surface contamination between the plating, as is typical.

When viewed directly, the shading shows a more subtle tone than in the catalog illustration. Shades with approximately 30 fine line cracks are scattered throughout, a reasonable number considering the large number of individual glass blocks required to execute a shade of this size and complexity.

These fine line cracks have recently been sensitively stabilized by professional glass custodians. The etched bronze wing overlay appears intact and in very good condition, with minor signs of surface contamination in the recessed areas.

The top geometric border and the five pieces of blue background glass directly below the lower geometric border appear to have been replaced by the free glass at some point in the history of this work. The support wires attached to the interior of the curtain appear to have been replaced at some point in the work’s history.

The retractable base of the reticulated “Queen Anne’s Lace” is in good condition, with a rich brown sheen. The bronze finish with scattered light surface scratches and scuffs is consistent with age and gentle use and occasionally shows some very light discoloration.

The base bears some very light surface stains and oxidation marks, and the recessed contours of the design are consistent with age. With period sockets and paddle switches that appear to be original and undisturbed. One period finial is in very good condition with scattered light surface scratches and scuffs consistent with age and gentle handling, and some light pitting consistent with the natural aging of the material.

The present lot is an excellent example of this iconic model, showing excellent coloring and a very desirable base pairing. When viewed in person, this light is truly dazzling and jewel-like.

Trumpet Creeper Table Lamp

TIFFANY STUDIOS | An Important “Trumpet Creeper” Table Lamp

This lamp is known for its superb, rich glass selection. The lamp is composed of a wide selection of striped, mottled, rippled, and translucent glass, giving the shade intense visual depth and vibrancy.

The shade is topped with a series of blue background glass blocks, including cobalt blue, sapphire blue, sky blue, and bright sky blue. The design extends from the shade down to the trumpet flower in fiery oranges and yellows, set against a backdrop of translucent fuchsia, violet, and indigo glass, accented with bright green foliage.

The company’s production number 28277 impresses both the shade and the base, suggesting that both components were made from scratch. The approximately 35 thin lines of cracks scattered throughout the shade are stable, a relatively low number compared to the large number of glass blocks required to execute such a complex and massive shade. The shadows with some very light surface stains are concentrated on the contours near the cutoff.

The top bronze skeleton of the shade and lower branches is finely cast and exhibits a rich brown sheen. The recessed contours of the top mesh shade skeleton have some light surface staining and show minor oxidation throughout.

The bronze branches throughout the top register of the shade are highly sculptural and tactile and add great visual interest and dimension to the lamp. The “tree” base displays rich brown bronze-green and sculptural castings.

The base’s patinated surface shows occasional light surface scratches, scuffs, and light rubbing with minor surface contamination and oxidation to the recessed contours of the branches consistent with age and gentle use. The base retains the original bronze decorative switch, which functions fully as a two-way switch.

All four power outlets appear to be original and undisturbed. A superb example of this impressive model that demonstrates the highest artistry in Tiffany lamp production. When experienced in person, the glass selection and the richness and brilliance of the colors in this lamp are truly captivating.

Tiffany Pink Lotus Lamp

Tiffany Pink Lotus Lamp

Tiffany’s pink lotus lamp is one of the most expensive lamps in the world, and it once sold for a sky-high $2,807,500. Made in 1906, the lamp is entirely handcrafted and consists of 2,000 individually assembled glass pieces, all hand-cut and then strung together using the copper foil technique.

Tiffany’s Pond Lily Lamp

Tiffany's Pond Lily Lamp

Western artists were particularly interested in one oriental plant, the water lily, which symbolizes immortality and resurrection.

Monet wanted to fix the beauty of water lilies with oil paint on canvas, and Louis Tiffany tried to fix this beauty with glass on a lamp.

To this end, he invented and improved the glass manufacturing process. Make the glass lampshade lighter, easier to shape, and more colorful.

When Lewis was making the Tiffany lamp, Edison invented the electric light. More and more people are starting to use electric bulbs for lighting at home, but they can’t find good-looking electric light design products. His product can be described as timely.

In 1902, the same year that Louis’ father died, Tiffany’s “Water Lily” table lamp was born.

The main body of the lampshade is transparent azure glass, oozing cyan and violet, just like the pool water at dawn when the sky is bright and shimmering. Between the half-light and half-darkness, the water lilies are about to bloom. The edge of the lampshade is colored glass, and red and green glass fragments are inlaid inside to enhance the magic effect.

The lamp base is surrounded by water lily leaves. The lamp post connecting the lampshade to the base is shaped like a slender stem of the plant and is made of dichroic glass. When not plugged in, it’s indigo and dark yellow, and when plugged in, it magically turns reddish-brown and bright yellow.

This lamp was produced for only four short years, from 1902 to 1906. When it left the factory in 1906, it was expensive, priced at $400. At that time, an American worker worked for a whole year and earned $200 to $400.

Such a lamp, when it was auctioned at the auction house in December 2018, was estimated at 1.8 to 2.5 million US dollars, and the final transaction price was 3.37 million US dollars, which was the highest auction record in the history of Tiffany antique table lamps.

Frequently Asked Questions

1. What makes Tiffany lamps so expensive?

It can be said that the production of these crystal glass products can fetch sky-high prices, on the one hand, because of history, and on the other hand because of the complex craftsmanship behind them. The technology mastered by the big crystal-like brands is also becoming more and more skilled.

2. How can you tell if a Tiffany lamp is real?

a. Glass lampshade

Tiffany lamps are known to be closely associated with the Art Nouveau movement, and ornately decorated Tiffany lamps are rare and highly sought-after items by collectors. Handcrafted with small pieces of stained glass welded together, genuine Tiffany lamps – those made by Tiffany Studios from 1890 to 1930 – can be worth a fortune.

Fakes flood the market, so it can be difficult to identify authentic Tiffany lamps, but there are a few features you can look for to help you identify the real thing.

Carefully evaluate the shape of the lampshade. It should be tapered or spherical. The shape of a genuine Tiffany (Tiffany) table lamp is looser and more organic than the shape of many imitations. While dragonflies, butterflies, spiders, peacock feathers, and geometric patterns are also common, this shade usually features a botanical design.

Hold the top of the shade and gently tap the glass. According to Tiffany’s experts, a sturdy glass shade that doesn’t rattle usually indicates that the lamp is a fake.

Examine the glass carefully. Tiffany lamps are known for their strong, vibrant colors and variety of textures. Glass with flecks of color, known as “confetti” glass, is common in originals. If there is any gold glass in the shade, it should have a translucent amber sheen. If any gold glass has a greenish or very pale, translucent gold color, it is not authentic. Any other glass with a silvery sheen is also not authentic.

Lightly tap a cotton swab with nail polish and rub it on the glass. Some forgers paint the glass instead of embedding the color in the glass the Tiffany way. If the paint is used, it will rub off on the swab.

b. Copper base

Open the bottom cover to see if there is a gray metal ring inside. Almost all of the original Tiffany lamps had a hollow bronze base with a heavy lead ring inside, although mosaic bases were sometimes used. Look out for brass, zinc, white metal, plastic or wooden bases; they are common in cheap replicas.

Look for the patina on the bronze base. These small color changes caused by age may indicate that the lamp is not a replica. However, this does not guarantee the lamp is genuine, as some fakes will add fake patina.

Check the knob on the base. The original Tiffany lights usually had a propeller knob to operate the light, although some had a zipper instead.

Don’t trust the signature or stamp on a light fixture to be authentic. Tiffany’s marking system, cut or etched into the base of the lamp, has changed over the years and is easily replicated.

3. Why do Tiffany lamps feel like plastic?

Tiffany glass is a stained glass mosaic technique that was named after Louis Comfort Tiffany, son of American jewelry tycoon Charles Lewis Tiffany, who invented this unique crafting technique and won an award at the Paris Universal Exhibition.

If you tap your finger on a Tiffany light fixture, it will sound like plastic. But the Tiffany process is to use colored glass, cut it into the desired shape by hand according to the design drawings, then grind the glass piece by piece, wrap it with copper foil, and then weld the glass with tin according to the pattern. The whole production process is all handmade. . This is an independent creative studio where a variety of glass crafts are made, including Tiffany glass.